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Neben der Waldorfschule ist direkt ein Spielplatz. Posted Friday, March 6, 2015 Review 1378393 Studio album number three from Mani Neumeier and crew is now regarded as Guru Guru's career peak, and after my own late exposure to the unpolished charms of this early Krautrock power trio I'm not about to argue. For those unfamiliar with this interesting German band, this album is a fine starter. All in all, Kanguru is a classic Krautrock album.


Heck, are they even half-way listenable? Probably the most bizarre cover version of 'Batman' ever recorded appears here and is barely recognizable save for the Batman hyena screeches and includes Mani Nuemeier silliness or else it would not be a Guru Guru album, would it?. Recommended to listeners of fusion, people interested in drums taking the lead, krautrock and fans of Kraan.


fastdownloadcloud.ru review. Is Elektrolurch legit and safe? Elektrolurch reviews and fraud and scam reports. - It is nonetheless a half an hour of some really fun stuff.


Their guitar driven music was elektrolurch and imaginative and also incorporated many primitive atmospheric effects using echo boxes, fuzz pedals, wah wah pedals, processed signals and microphone distortion which predated the electronic instrumental music of the seventies. This extravagant free nature of their music was also meant as a left wing political statement as the band was also part of the Socialist German Student Union who would read out political statements during their performances. It contained long discordant compositions with psychedelic textures which incorporated more recognizable elements of elektrolurch, hard rock and pop music laced with all kinds of bizarre humour and drugged out vocals, not surprisingly becoming an underground favourite of long haired freaky people everywhere. They also became regular performers at the Finkelbach free music festival which they co-founded and continued to record periodically. Their live performances still breath fire and shine with exuberance with no sign of letting up elektrolurch time soon with concert dates planned well into the year 2010. The gig itself, from April 1972, saw the band at an early apex in its elektrolurch and, at this writing, still very active history, in a year that arguably marked the high tide of Krautrock iconoclasm. But the differences between the studio and concert versions are startling, and provide a far more honest portrait of a band renowned then and now as a vital live act. After hearing this set, don't be surprised to find the album that elektrolurch it, which this reviewer awarded five unconditional stars, sounding more like a contractual afterthought. Compare the track times here to the studio originals. Not surprisingly, the protracted grooves can often sound aimless, but never without purpose: a contradiction that somehow makes perfect sense with this particular trio. And even with the not-much-better-than-bootleg quality of the tape, apparently recorded from the back rafters of a very large arena, it's still easy to be swept up by the energy, enthusiasm, and sheer musical joy of the performances. Neumeier and bassist Bruno Schaab a recent replacement for ex-Guru Uli Trepte are buried deep behind the echo-heavy mix. Neumeier's drum solo, soon afterward, is a model of unrestrained economy: another plausible Guru Guru paradox. The visual distractions of a live concert, typically a large part of the Guru Guru experience judging from the occasional audience laughter here are absent, of course. But the album sounds exactly like what it must have once been: one heck of a show, and the Play Loud. Posted Wednesday, September 26, 2018 Review 2038538 This is a wacky one and just like the previous 'Jungle' features a female vocalist, Lysa Kraus, an amalgam elektrolurch Nina Hagen and The B- 52s. This is the Guru Guru of the late 80s so don't expect the early Krautrock experiments or tripped out jazz-rock blowouts of the seventies. Head Guru Mani Nuemeier had spent most of the eighties on individual projects and was trying out new things with the newly reformed Guru Guru. The 8 tracks are quite different from one another but as a whole Guru Guru '88 is very psychedelic. The biggest surprise is a spooky electronic instrumental track titled 'His Time' which is dedicated to Edgar Allan Poe, author of the strange and macabre. Probably the most bizarre cover version of 'Batman' ever recorded appears here and is barely recognizable save for the Batman hyena screeches and includes Mani Nuemeier silliness or else it would not be a Guru Guru album, would it?. The groovin' 'Work', 'Take It All' and 'Jim Jimmy' are straight off the dance floor. The instrumental 'Long Ago' tacquires a more vapourous jazzy feel. My only problem here is that the development potential on some tracks was not exploited to the fullest. It is nonetheless a half an hour of some really fun stuff. Posted Sunday, April 2, 2017 Review 1707345 Following the career of a band like Guru Guru can be a lifelong vocation. Rarely inactive over almost five decades elektrolurch countingthe band has weathered changes in taste, context and personnel with its integrity and humor intact: quite an accomplishment for a band that began as a trio of political agitators dedicated to a hallucinogenic lifestyle. By this gig in Heidelberg, circa December 2013 drummer Mani Neumeier was the last original Guru left standing. Despite his age, the tireless Neumeier was still a child of the '60s searching for Utopia. The exploratory spirit of the first Guru Guru is long gone, of course. These days, far removed from anything resembling a counterculture, the quartet is merely a hard working rock band, but with energy and eccentricity to spare. elektrolurch Each selection here is introduced elektrolurch German to an exclusively German audience, but performed in heavily-accented English. The result is not only a credible live document, but a worthwhile sampler of an enduring career: the perfect diversion for lapsed fans and curious newcomers. The band relies just on these three instruments, which in conjunction with studio equipment and various effects allow them elektrolurch create fascinating sonic landscapes. An absolutely essential krautrock album. Posted Wednesday, February 17, 2016 Review 1529937 Guru Guru's third release is generally considered their most accomplished work. In 1972, the group released Kanguru. The album still relies strongly on improvisation. There are elements of ambient music, as well. Four tracks of this album give room to four different moods. The band often lays down a simple rhythmic and harmonic pattern, which they improvise on. However, there are also some electronic, dissonant work-outs to spice things up. Sometimes heavy, sometimes funky - Kanguru is a rewarding journey throughout. Although the album is not very innovative and a bit monotonous, it is elektrolurch that Guru Guru have mastered their instruments and are now proficient musicians. All in all, Kanguru is a classic Krautrock album. Not only is this one of not all that many albums of the genre that I enjoy, it will be a perfect way to get into it. Posted Wednesday, February 17, 2016 Review 1529935 Guru Guru - Live 1978 Recorded across cities all over Germany and Holland, this is one of the best sounding live albums of the seventies. Fans of their first three albums should therefor be mindfull of on which grounds they judge this album. Stylisticly and soundwise this album could be seen as the big brother of Kraan's double live elektrolurch from '75. A tight unit of bass and drums of course by bandleader Mani Neumeiertwo guitar players - both very able to give away an amazing elektrolurch - and Rolandd Scheaffer also plays some saxophone parts and percussion. The vocals are often dopey, but they are almost never the centerpart of a track. The recording quality is amazing, I only know one record elektrolurch has a better live recording; Jan Akkerman's Live at Montrieux. The first elektrolurch sides are mainly just Guru Guru elektrolurch a lot of fun with its fast funk psychedelic rock style with loads elektrolurch great solo's, sounds and rhythmical playing. Nothing to progressive or difficult, but very advanced nevertheless because of the top elektrolurch fusion interplay of bass drums and guitars. The musicianship can easily florish in the format. The crowd really seems to be having a good time. Though long drum parts on live albums are usually cause of a lack of substance, the interplay with the crowd does give me a pleasent feeling of being part of great event. The fourth side is my favorite of the album. This is a progressive rock listeners heaven with the brilliant heavy spacerock opener Moroso and the multi-part twelve minute Medicin Man's Overdose, which also has some strong dynamic changes and a beautiful twelve string guitar interlude by Dieter Bornschlegel. The ending is short, bombastic and powerful. Guru Guru in their fusion prog period is an acquired taste, but the musicianship and professional production of this double live album is beyond opinions. Moreover, the crowd really adds to the music, which is usually lacking on progressive rock related live albums. Posted Tuesday, September 29, 2015 Review 1470534 Guru Guru - Mani und seine Freunde 1975 Already on the second Guru Guru album you can hear that Mani Neumeier is one of the more talented drummers of his generation. A beautiful sound, a great pinch and some great fusion chops. On this album Mani Neumeier takes the lead through a run of funky fusion tunes with some ethnic, some Zappaesque and minor progressive influences. The vocals are often silly, be don't be fooled, this is top notch funk jazz and the production quality of the album is impressive as well. The first run of five tracks is really enjoyable. Funk, rock, jazz, crazy vocals. The ten minute track 'Woodpecker's Dream' has a nice intro song with cute German vocals, but after the first few minutes the birdsounds, spoken words and small percussions are meaningless. The last short track also sounds as filler material to my ears. This is too bad, because otherwise this would have been a four star album elektrolurch me. Three and halve stars for that. Recommended to listeners of fusion, people interested in drums taking the lead, krautrock and fans of Kraan. Posted Friday, March 6, 2015 Review 1378393 Studio album number three from Mani Neumeier and crew is now regarded as Guru Guru's career peak, and after my own late exposure to the unpolished charms of this early Krautrock power trio I'm not about to argue. What happened, to make this session so different. Maybe producer Conny Plank was exerting a stronger than usual influence over the group, in effect elektrolurch the crude trio into a more refined quartet. Certainly his uncredited keyboards and auxiliary guitar work enriched the Guru Guru sound considerably. Ax Genrich an awesome name for a rock guitarist, by the way toned down his 10-penny nails-on- concrete playing elektrolurch, while still managing to approximate the sound of a titan's dirty fingernails scraped down a cosmic chalkboard. But I don't recall Hendrix ever elektrolurch quite so far from his blues roots, or singing in a style recalling Michael Elektrolurch portraying Mr. By openly acknowledging their debt to Hendrix the band contradicted the accepted Krautrock myth of musical isolation elektrolurch English and American role models. In truth, without the good elektrolurch set by Frank Zappa, Pink Floyd, The Elektrolurch Underground, and Jimi Hendrix, there would not have been any Faust, Ash Ra Tempel, Can, or Guru Guru. In awarding the album five stars I'm choosing to interpret the ProgArchives rating guidelines with latitude. The iconic cover art alone is worth an extra half-star, and anyone who disagrees can go take a Baby Cake Walk. The raw garage band sound was deliberate, and it fits. Symphonic-minded Progheads should therefore take heed. This album is so unpolished it could easily be mistaken for a loose clump of musical dirt, instead of the diamond-in-the-rough it actually is. But there's a crude playfulness here too, as the unflattering cover art makes all-too explicitly clear. I suppose when you're fighting The Establishment using radical politics, psychedelic drugs, and over-amped guitar feedback, it helps to also have a sense of humor. And the trio was beginning to listen to each other, allowing a little more light and air into their music. Needless to say, it's a long way from anything resembling musical sophistication. But the album was still miles elektrolurch of the band's 1970 debut. And today it remains a valuable artifact from the Stone Age pun intended of power rock rebellion. Posted Thursday, August 28, 2014 Review 1261896 The debut album by Germany's premier power trio seems to have divided even the more reliable collaborators on this site, and not without good reason. The primitive garage-band jams collected here might have been prototypes of Krautrock sedition, but are they actually any good. Heck, are they even half-way listenable. Sure, the album is a bit of a mess. But it's just possibly a Jackson Pollock sort of mess. elektrolurch Or, more accurately, what they didn't want: i. This sort of musical anarchy was a holdover from the more radical 1960's, and not unlike a lot of post-hippie guitar freakouts was political in context. The band itself called what they were doing 'action music', although the only action likely taken by unwary listeners might be to reach for a large bottle elektrolurch aspirin. Elektrolurch with more than forty years of hindsight it can still be hard elektrolurch distinguish one instrumental thrash from the next; a mark of distinction, to some of us misfits. But it's the ten-minute title improvisation that remains the album's litmus test: a completely free-form exercise in spontaneous noise-making, played apparently for no other reason except to hear the effect of all that feedback. Drug references aside, it's a pretty sober experience. Was it meant as an invitation, or a threat. A moot point, by now: stronger brains and habits have proven no match for the primordial grunge of Mani Neumeier and company, as we're still learning after almost 45-years of waiting for those objects to finally land. Posted Wednesday, August 27, 2014 Review 1261732.

 


The vocals are often dopey, but they are almost never the centerpart of a track. Neumeier and bassist Bruno Schaab a recent replacement for ex-Guru Uli Trepte are buried deep behind the echo-heavy mix. The recording quality is amazing, I only know one record that has a better live recording; Jan Akkerman's Live at Montrieux. Was it meant as an invitation, or a threat? Not only is this one of not all that many albums of the genre that I enjoy, it will be a perfect way to get into it. Posted Wednesday, February 17, 2016 Review 1529937 Guru Guru's third release is generally considered their most accomplished work.

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